is, as the
word parts indicate, a period of time after the end of British or French colonialism in various
parts of the world. As can be expected, it is characterized by opposition to the colonial
conquerors, frequently focusing upon racial relationships and the effects of racial domination;
in addition, the literature often indicts white and/or colonial societies. One such example of
Postcolonial literature is this vituperative passage written by Elaine Potter Richardson, who
changed her name to Jamaica Kincaid. She was educated in British schools in Antigua:
Antigua is a small place, a small island . . . . settled by
Christopher Columbus in 1493. Not too long after, it was settled by human rubbish from Europe,
who used enslaved but noble and exalted human beings from Africa . . . . to satisfy their desire
for wealth and power, to feel better about their own miserable existence, so that they could be
less lonely and emptya European disease.
Despite the
progress that is brought to countries under European colonialism, there is usually a resentment
toward the Europeans who have conquered and subjugated the native people,leaving them to feel
that they have lost their voices in their own land as a result. This conflict of identity is
often an issue that postcolonial literature deals with as in Albert Camus's story "The
Guest" in which the main character's loyalties are torn between the native culture and the
French Colonial government.
In "Piano and Drums" by Gabriel Okara,
the speaker expresses the affect of both cultures upon him; he cannot remove himself from the
Colonial culture despite his love for his own. The first two stanzas describe a certain primal
excitement, "simple paths" of feeling as the speaker is in touch with the land. Then,
in the third stanza, he is transposed to a more complex world of "tear-furrowed
concerto," the rule of those colonists from "far-away lands/" There are mixed
feelings:
....But lost in the labyrinth
of its
complexities, it ends in the middle
of a phrase of daggerpointAnd I
lost in the morning mist
of an age at a riverside keep
wandering in the mystic
rhythm
of jungle drums and the concerto
The
"daggerpoint" is connotative of the danger and damage of colonialism that has affected
the speaker who feels "lost" and "wandering" in a rhythm of the spirit that
includes the duality of the African "jungle drums" and the European piano
"concerto."
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