Monday, 30 November 2009

What does making her feel leaden mean in Lyddie?

To feel leaden is to feel heavy
burdens due to strong emotions.

To feel leaden is a .  Leaden
is afor emotions.  Metaphors compare unlike things.   is not really full of lead.


When Lyddie feels leaden it means that she feels very heavy or burdened by her
emotions.  For example, when she talks about her home and family, she describes herself as
feeling leaden with sadness.  This means she is so sad that she feels as if she cannot move,
like she was full of lead.

"There's no hurry. Wait
till your family comes. I don't know when my brother and I can ever get back." She felt
leaden with sadness. (Ch. 6)

This incident occurs when
she gives Ezekial money to help him run away.  He tells her that she needs the money and should
not give it to him, and she replies that she got it from selling her calf and does not need it
yet.  She feels a desire to help him.

Lyddie feels sorry for Ezekial because
he is one person worse off than she is.  Although Lyddie has lost her family farm and is on her
own, she still wants to help a runaway slave.  Lyddie shows compassion for Ezekial but helping
him is a way of feeling better about herself.  She feels that she has nothing.


Throughout the book, Lyddie fights an inner war between feelings of selfishness and her
desire to help others.  Lyddie is basically a good person though.  She is tenacious and
compassionate.  In the end, she always desires to help those in need.

In Edgar Allan Poe's "The Cask of Amontillado," why did Montresor seek revenge on Fortunato?

The
opening sentence of "" creates a puzzle that generations of critics and readers have
been unable to solve:

The thousand injuries of Fortunato I
had borne as best I could; but when he ventured upon insult, I vowed revenge.


Most readers reasonably expect Montresor to describe the insult
sufficiently to justify the revenge that drives him to kill Fortunato in a horrific manner.  But
Montresor simply moves on to explain how he has constructed his revenge, and readers and
literary critics are left to puzzle over the "insult."  A related issue is that
Montresor is the first-person narrator of this tale--everything we see and hear is filtered
through the eyes, ears, and mind of Montresor.  So, we have a narrator, upon whom we depend for
accurate information, who decides to kill a man in a particularly horrific manner because of
an insult.  We cannot be sure that Montresor is a reliable
narrator.

The short answer to your question, then, is that no one is quite
sure why Montresor decides to kill Fortunato, except that Montresor thinks the
"insult" is sufficient justification for murder.  This answer, of course, leaves us in
no better position than before because the answer is logically circular: Montresor decides to
seek revenge because.  That's about as far as readers can go.

Some critics
have speculated, among many things, that the insult has something to do with Montresor's family
and that Montresor is therefore obligated, as the last remaining Montresor, to defend the
Montresor family honor.  An intriguing word choice by Montresor may support this
theory:

I continued, as was my wont, to smile in his face
and he did not perceive that my smile now was at the thought of his
immolation.

The word immolation is
most often used to refer to a ritual sacrifice, not merely a run-of-the-mill murder.  Because
both Montresor and Fortunato are conscious of their family's status--at one point, Montresor
implies that his family's status is reduced--the possibility that Fortunato's insult is directed
at the Montresor family, not Montresor himself, becomes important, particularly when we have no
other idea why an "insult" would drive Montresor to such revenge.


Both Montresor and Fortunato are from the upper class, and both are from leading
aristocratic families in a country--Italy--where loyalty to family is both expected and
considered to be a virtue.  If, and I realize this is an if, Fortunato has
insulted Montresor's family name, it is reasonable to believe that Montresor would feel
obligated to take revenge on the family's behalf.  This if is supported, I
think, by the elaborate discussion of the Montresor family's coat-of-arms: a snake being crushed
by a human foot and, in turn, biting the heel of that foot.  The snake represents the
Montresors, and the foot symbolizes the Fortunato family.  One can argue, of course, that the
coat-of-arms simply represents the two men's struggle with one another, but coupled with
Montresor's use of the word immolation, the elaborate description of the
coat-of-arms may point to a family struggle, not a struggle between individuals.


Fortunato, therefore, becomes a sacrfice to the Montresor family's honor, which he has
insulted in some way.  And Montresor, as the last representative of his family, has lived up to
the sentiments expressed on his family's coat-of-arms: No one harms me without suffering
himself.

How did Andrew Jackson support slavery?

As Jackson
became President, the issue of slavery was dormant.  The nation had simply accepted the
condition of servitude that people of color occupied. While there might have been some limited
questioning of it, the intensity and fervor that would lead to the Civil War was not evident
during Jackson's time.

Thus, Jackson's support of slavery is seen in his own
actions. Jackson lived his life as a Southerner who made a profit from slavery.  In his early
life in the Carolinas and then as he made his fortune, Jackson did not oppose slavery. Jackson
never spoke out against it and made no claims about its inhumanity. Jackson could be seen as a
supporter of slavery because it helped him to generate profit and establish his name.  Jackson
"prospered" as a result of slavery.  He owned a plantation that produced cotton.  The
workers on this plantation were slaves, by some accounts up to 300 slaves.  At the same time,
Jackson participated in military campaigns that sought to increase the Southern, slave- owning
territory.  

In this, Jackson's support of slavery is once again evident.
 Abolitionist Frederick Douglass was quite pointed in his critique of Andrew Jackson's support
of slavery:  "Jackson has to own that he owes his farm on the banks of the Mobile to the
strong arm of the Negro." Without questioning the system in which profit was tied to human
misery, Jackson must be seen as a supporter of slavery:  "..wealth accumulation was tied to
slavery...Jackson practiced and defended what had been the accustomed way for white men to make
money for 200 years."  It is in these respects in which Jackson supported
slavery.

href="https://en.wikipedia.org/wiki/Andrew_Jackson">https://en.wikipedia.org/wiki/Andrew_Jackson

What is the easiest instrument to learn? Here are some 'listed' easy instruments that can help you in your decision; clarinet, trombone, double...

I have
tried to learn the piano, the guitar, and the clarinet, and I have found all of them not only
difficult but frustrating--but that's probably because I'm not cut out to be a musician. Some
people love guitars and can be happy sitting and strumming chords for hours at a time. I found
the fingering especially difficult because there are so many strings and you have to press them
tightly. It's true that you can learn a few chords and then hum or sing to them--but this isn't
really "learning" an instrument. I only tried playing a recorder once in my entire
life, and I found that I could play songs with ease. It is indeed a simple and limited
instrument, but it makes a good starter, and it really is a respectable musical instrument. But
I have given up on myself entirely as far as learning any musical instrument is concerned. I
don't have that peculiar patience that most musicians seem to possess. 

Sunday, 29 November 2009

Why was land ownership so important to freed slaves once the war ended?

The
Southern economy was overwhelmingly agrarian and so land-ownership was the main source of wealth
in that part of the world. Therefore, if the freed slaves were ever going to take their rightful
place as equal members of society, it was essential that they be given sufficient land to be
able to provide for themselves and their families.

Unfortunately, the main
emphasis during Reconstruction was on providing wage labor for African Americans rather than
land. This represented a departure from the so-called "Forty Acres and a Mule" field
order proclaimed by Abraham Lincoln during the last few months of the Civil War. But then,
Lincoln's successor, Andrew Johnson, was much less enthusiastic about any notion of racial
equality, and under his presidency, all of the gains in land-ownership made by freed slaves
during the Civil War were completely reversed, making it harder for black people to enjoy the
kind of independence envisaged in the "Forty Acres and a Mule"
proclamation.

In Lucille Clifton's "at the cemetery, walnut grove plantation, south carolina, 1989" what is the significance of the rhythm in the last five lines?...

is an
African-American poet who went to visit Walnut Grove Plantation in South Carolina in 1989, and,
not surprisingly, it was this experience which prompted her to write "at the cemetery,
walnut grove plantation, south carolina, 1989."

This poem is an attempt
to expose an injustice, and in an interview with Bill Moyers, Clifton explains what she saw that
moved her to try to right that wrong. 

She was part of a group which took a
guided tour of the two thousand-acre Walnut Grove plantation, and while everything they saw was
original, well preserved, and fascinating, the guide mentioned nothing about the fact that this
family plantation had slaves. Not only was it obvious that a South Carolina plantation in the
early 1800s would have had slaves, but Clifton saw clear evidence of this reality when she
looked at the burial ground. She told Moyers:

Walnut
Grove Plantation has the family burying ground, and on the sides of the roped-off path leading
to that burying ground...



























href="https://www.modernamericanpoetry.org/dashboard">https://www.modernamericanpoetry.org/dashboard

Saturday, 28 November 2009

In Chekhov's "The Bet," who in your opinion won the bet between the banker and the lawyer?

This is
an interesting question. There are several ways of looking at the outcome. It might be said that
neither of the men actually won or lost the bet, because the lawyer didn't collect the two
million rubles and the banker didn't lose the two million rubles. Morally speaking, however, it
would appear that the lawyer won the bet and  the lawyer decided to let the banker "off the
hook" by walking out the door five hours before the deadline.

The banker
seems to be acknowledging that he lost the bet by his thoughts and behavior on the night before
the term of imprisonment expired. He sneaks into the prisoner's room for the first time in
fifteen years with the intention of murdering him after keeping him in solitary confinement for
all that time. The banker himself would acknowledge that he had lost the bet, and the lawyer
would probably assert that he had won it, although he disdained to collect the money.


The bet itself is hard to understand. Initially the two men were arguing about the
relative cruelty of capital punishment versus life imprisonment. This is the pertinent
dialogue.

"The death sentence and the life sentence
are equally immoral, but if I had to choose between the death penalty and imprisonment for life,
I would certainly choose the second. To live anyhow is better than not at all."


A lively discussion arose. The banker, who was younger and more nervous in those days,
was suddenly carried away by excitement; he struck the table with his fist and shouted at the
young man.

"It's not true! I'll bet you two million you wouldn't stay in
solitary confinement for five years."

"If you mean that in
earnest," said the young man, "I'll take the bet, but I would stay not five but
fifteen years."

In the first place, the young lawyer
doesn't have anything like two million to put up. It isn't really a bet. The banker has nothing
to gain He probably regrets getting involved in such a contest as soon as he has committed
himself. He not only stands to lose a fortune, but he has to keep the lawyer in comfort for as
long as the young man chooses to stay. He provides his meals and even offers to serve him wine.
But how did the question of "life imprisonment" suddenly and inexplicably turn into
fifteen years of solitary confinement. Men serving life sentences are not sentenced to solitary
confinement too.

It was agreed that for fifteen years he
should not be free to cross the threshold of the lodge, to see human beings, to hear the human
voice, or to receive letters and newspapers. He was allowed to have a musical, instrument and
books, and was allowed to write letters, to drink wine, and to smoke....He might have anything
he wanted--books, music, wine, and so on--in any quantity he desired by writing an order, but
could only receive them through the window.

Chekhov had
to change the argument from capital punishment versus life imprisonment to capital punishment
versus fifteen years of solitary confinement. It is hard to detect the slight of hand by which
he does this, but he could hardly have a character serving a life sentence, because he would
have to die in prison in order to win. The bet is "wild and senseless" enough as it
is, but no one would bet he could spend life in a typical prison without the amenities the
banker was providing.

"" is not a typical Chekhov story. He does
not usually have surprise endings or even  resolutions. "The Lady with a Pet Dog" is
more "Chekhovian."

To what degree were the U.S., Great Britain, Germany, the USSR, and Japan successful in regards to their efforts in economic mobilization during the...

This is an enormous question that can't really be answered fully in this small space. But a few generalizations can be made. Bo...