The pull
between fate (or destiny) and free will is a primary theme of the trilogy. While modern
thinking typically scorns the idea of a pre-determined fate, there seems to be something that
attracts audiences to the idea that some things will go wrong, no matter what we do to try to
redirect or change our lives.
Freud wrote about this topic in The
Interpretation of Dreams and the Oedipal dilemma. "There must be something,
" Freud argues,
which makes a voice within us ready to
recognize the compelling force of destiny in the ...His destiny moves us
only because it might have been ours."
Oedipus
cannot escape some of his fate: he does marry his mother and kill his father as predicted. But
what he does with his life after the prophecy is fulfilled is his
decision. He could have killed himself, but he chooses to go on. He might have spurned his
daughters, but chooses to embrace them.
As Robert Fagles points out,
"We expect to be made to feel that there is a meaningful relation between the hero's action
and his suffering, and this is possible only if that action is free, so that he is responsible
for the consequences."
' play, therefore, is a combination of both
created and creator fate.
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